Previous mugs of Spector have shown him bald on top but with long, stringy hair in the back. A mugshot newly taken of Phil Spector in prison shows the Rock & Roll Hall of Famer completely free of the huge hair that was so striking during his trial. The photo taken in June and provided Tuesday by the California Department of Corrections and Rehabilitation also shows the 76-year-old music producer smiling broadly and wearing hearing aids on both ears. Previous mugs of Spector have shown him bald on top but with long, stringy hair in the back. He is now completely bald, a far cry from the bizarre wigs he wore at his two trials. ![]() New jailhouse photo of Phil Spector shows the music producer completely bald; Spector is serving 19 years to life for the 2003 murder of actress Lana Clarkson; Now 76, Spector will be 88 years old when he is first eligible for parole. By Dailymail.com Reporter. Published: 20:15 EST, 7 August 2017| Updated: 01:18 EST,. • • • • • • • • • • Website Phillip Harvey Spector (born Harvey Phillip Spector, December 26, 1939) is an American, musician, and songwriter who developed the, a music production formula he described as a ' approach to. Spector is considered the first among musical artists for the unprecedented freedom and control he had over every phase of the recording process. Additionally, he helped engender the idea of the. For these contributions, he is acknowledged as one of the most influential figures in history. Later in his life, Spector was reputed for his eremitic personality, and he grew notorious for in the 2000s. Spector began his career in 1958 as the co-founder of, performing on guitar and vocals, and penning their US number one single '. Feb 26, 2017. Feb 26, 2017 @ 13:59PM. Phil Spector Will Die In Jail thumbnail. Getty Images. The legendary producer of hits like 'Be My Baby' and 'To Know Him Is to Love Him' was incredibly wealthy, but he couldn't buy his way out of a murder rap! Hours after Phil Spector met B-movie beauty Lana Clarkson at L.A.' The official website of the band Spector. Brand new album 'Moth Boys' is out now. Get iton iTunes. Sometimes depicted as the ', he wrote, co-wrote, or produced for such as and, and later, and of. Spector's other chart-topping singles include ' (, 1964), ' (Beatles, 1970), and ' (Harrison, 1970). He often employed the Los Angeles conglomerate known as ' as his de facto while collaborating with arranger and engineer. By the mid-1970s, Spector had produced more than thirty US singles for various artists, but following sporadic work with,, and the, he remained largely inactive. From 2007 to 2009, he was the subject of a trial and retrial for the 2003 murder of actress, of which he was convicted in the. He is serving a prison sentence of 19 years to life and will be 88 years old before becoming eligible for. In 2008, named Spector the second-greatest record producer in music history. In 2004, magazine ranked him #63 on their list of the '. In their 2003 list of ', they included the Spector-produced (1964), (1963), and (1991). According to, 'You've Lost That Lovin' Feelin' (co-written and produced by Spector) is the song that received the most US airplay in the 20th century. For co-producing Harrison's (1971), Spector earned the. In 1989, Spector was inducted into the as a nonperformer. In 1997, he was inducted into the. Contents • • • • • • • • • • • • • • • • • • • • Biography [ ] Childhood [ ] Harvey Phillip Spector was born on December 26, 1939 to a first-generation immigrant family in, New York City. His father, Ben, was an from Russia (now Ukraine) with the surname Spekter, which he later to Spector. Spector's father committed suicide on April 20, 1949. In 1953, his mother moved the family to where she found work as a seamstress. 1954–1959: Teenage performer and lyricist [ ] Having learned to play guitar, Spector performed ' in a talent show at, where he was a student. While at Fairfax, he joined a loose-knit community of aspiring musicians, including,,, and, the last of whom played drums on Spector's first record release, '. ![]() With three friends from high school,,, and, Spector formed a group,. During this period, record producer Stan Ross — co-owner of in — began to tutor Spector in record production and exerted a major influence on Spector's production style. In 1958, the Teddy Bears recorded the Spector-penned ', which helped them secure a deal with. At their next session, they recorded another song Spector had written—this one inspired by the on Spector's father's tombstone. Released on subsidiary label, Dore Records, ' reached number one on singles chart on December 1, 1958, selling over a million copies by year's end. It was the seventh number-one single on the newly formed chart. Following the success of their debut, the group signed with. Their next single, 'I Don't Need You Anymore', reached number 91. They released several more recordings, including an album, The Teddy Bears Sing!, but failed to reach the top 100 in US sales. The group disbanded in 1959. 1959–1969: Early success as a record producer [ ] After the split, Spector's career quickly moved from performing and songwriting to production. While recording the Teddy Bears's album, he had met, a former promotion man who was a mentor to and. His next project, the Spectors Three, was undertaken under the aegis of Sill and his partner,. In 1960, Sill arranged for Spector to work as an apprentice to Leiber and Stoller in New York. Ronnie Crawford would become Spector’s first true recording artist and project as producer. Spector quickly learned how to use a studio. He co-wrote the Top 10 hit ' with Jerry Leiber and also worked as a session musician, most notably playing the guitar solo on ' song '. His own productions during this time, while less conspicuous, included releases by,, and Billy Storm, as well as the Top Notes' original version of '. Leiber and Stoller recommended Spector to produce 's ', which reached number 9 in January 1961. Later, he produced another major hit for, 'Pretty Little Angel Eyes', which made it to number 7. Returning to Hollywood, Spector agreed to produce one of Lester Sill's acts. After both and turned down the master of 'Be My Boy' by the, Sill formed a new label,, with, and released it. It reached only number 56, but the follow-up, ', was a hit, reaching number 5. [ ] In late 1961, Spector formed a new record company with Lester Sill, who by this time had ended his business partnership with Hazlewood. Combined the names of its two founders. Through Hill and Range Publishers, Spector found three groups he wanted to produce: the Ducanes, the Creations, and. The first two signed with other companies, but Spector managed to secure the Crystals for his new label. Their first single, ' was a success, hitting number 20. Their next release, 'Uptown', made it to number 13. Spector continued to work freelance with other artists. In 1962, he produced 'Second Hand Love' by, which reached #7. In the early 1960s, he briefly worked with ' artists and. Of Atlantic paired Spector with future star for 'Talk to Me', the of which was 'Tired of Trying', written by DuShon. [ ] Spector briefly took a job as head of for. It was while working at Liberty that he heard a song written by, for whom he had produced a number 41 hit, 'Every Breath I Take', a year earlier. ' was due to be released on Liberty by, but Spector rushed into Gold Star Studios and recorded a cover version using and the Blossoms on lead vocals. The record was released on Philles, attributed to the Crystals, and quickly rose to the top of the charts. In August 1963, Spector produced and was given writing credit for '. The single was acknowledged by some as the greatest pop record ever made. Problems playing this file? By the time 'He's a Rebel' went to number 1, Lester Sill was out of the company, and Spector had Philles all to himself. He created a new act,, featuring Darlene Love, Fanita James (a member of the Blossoms), and Bobby Sheen, a singer he had worked with at Liberty. The group had hits with ' (number 8), ' (number 38), and ' (number 63). Spector also released solo material by Darlene Love in 1963. In the same year, he released ' by the, which went to number 2. The first time Spector put the same amount of effort into an LP as he did into was when he utilized the full Philles roster and the Wrecking Crew to make what he felt would become a hit for the 1963 Christmas season. Arrived in stores on November 22, 1963—the day of the. On September 28, 1963, the Ronettes appeared at the, near. Also on the bill were the. Spector, who was conducting the band for all the acts, was so impressed with and that he bought their contract from and signed them to Philles. In early 1965, ' became the label's second number 1 single. Three more major hits with the duo followed: ' (number 9), ' (number 4, originally the B-side of 'Hung on You') and ' (number 5). Despite having hits, he lost interest in producing the Righteous Brothers and sold their contract and all their master recordings to. However, the sound of the Righteous Brothers' singles was so distinctive that the act chose to replicate it after leaving Spector, notching a second number 1 hit in 1966 with the Bill Medley–produced '(You're My) Soul and Inspiration'. [ ] The recording of ', credited on some releases as a Spector production although Medley has consistently said he produced it originally as an album track, had a second wave of popularity 25 years after its initial release, when it was featured prominently in the 1990 hit movie. A re-release of the single re-charted on the, and went to number one on the. This also put Spector back on the U.S. Top 40 charts for the first time since his last appearance in 1971 with 's ', though he did have UK top 40 hits in the interim with the. Spector with, for whom he produced ' in 1966 Spector's final signing to Philles was the husband-and-wife team of in 1966. Spector considered their recording of his best work, but it failed to go any higher than number 88 in the United States. The single, which actually featured but not Ike, was more successful in, reaching number 3. Spector subsequently lost enthusiasm for his label and the recording industry. Already something of a, he withdrew temporarily from the public eye, marrying, lead singer of the Ronettes, in 1968. In 1967, Spector emerged briefly for a cameo as himself in an episode of and as a drug dealer in the film (1969). 1969–1977: Comeback and near-fatal accident [ ] In 1969, Spector made a brief return to the music business by signing a production deal with. A Ronettes single, 'You Came, You Saw, You Conquered' flopped, but Spector returned to the Hot 100 with ', by and the, which reached number 13. In 1970,, manager of the, brought Spector to England. While producing 's hit solo single ', which went to number 3, Lennon and invited Spector to take on the task of turning the Beatles' abandoned recording sessions into a usable album. He went to work, using many of his production techniques, making significant changes to the arrangements and sound of some songs. The resulting album,, was a massive commercial success and topped the US and UK charts. The album also yielded the number 1 US singles ' and ', the latter a UK number 2 released two months ahead of the album; ', an international number 1, was issued in 1969, right after the original Get Back sessions. Spector's overdubbing of 'The Long and Winding Road' infuriated its composer,, especially since the work was allegedly completed without his knowledge and without any opportunity for him to assess the results. (In 2003, McCartney spearheaded the release of, which stripped the songs of Spector's input.). 1971 ad for 's album, co-produced by Spector. Lennon and were satisfied with the results, and Let It Be led to Spector co-producing albums with both ex-Beatles. For Harrison's multiplatinum album (number 1, 1970), Spector provided a cathedral-like sonic ambience, complete with ornate orchestrations and gospel-like choirs. The LP yielded two major hits: ' (number 1) and ' (number 10). That same year, Spector co-produced John Lennon's (number 6) album. In 1971, Spector was named director of A&R for. He held the post for only a year, but during that time he co-produced the single ' with John Lennon (number 11), as well as Lennon's chart-topping album,. The album's title track hit number 3. With Harrison, Spector co-produced Harrison's ' (number 23) and wife Ronnie Spector's ' (number 77). That same year Spector recorded the music for the number 1 triple album. The album later won the 'Album of the Year' award at the 1972. Despite being recorded live, Spector used up to 44 microphones simultaneously to create his trademark Wall of Sound. [ ] Lennon retained Spector for the 1971 single ' and the poorly reviewed 1972 album, (number 48). Similar to the unusual pattern of success that Spector's A Christmas Gift for You from Philles Records experienced, 'Happy Xmas (War Is Over)' also stalled in sales upon its initial release, only later to become a fixture on radio station playlists around Christmas. In 1973, Spector participated in the recording sessions for what would be Lennon's album (number 6). As the 1970s progressed, Spector became increasingly reclusive. The most probable and significant reason for his withdrawal, as revealed by biographer Dave Thompson, [ ] was that in 1974 he was seriously injured when he was thrown through the windshield of his car in a crash in Hollywood. According to a contemporary report published in the, [ ] Spector was almost killed, and it was only because the attending police officer detected a faint pulse that Spector was not declared dead at the scene. He was admitted to the on the night of March 31, 1974, suffering serious head injuries that required several hours of surgery, with over 300 stitches to his face and more than 400 to the back of his head. His head injuries, Thompson suggests, were the reason that Spector began his habit of wearing outlandish wigs in later years. The 1974 accident took place shortly after he had established the label with, which undertook new Spector-produced recordings with ('A Woman's Story'/'Baby, I Love You' [1974]; 'A Love Like Yours (Don't Come Knockin' Every Day)'/'(Just Enough to Keep Me) Hangin' On' [1975], with ), Darlene Love ('Lord, If You're a Woman'/'Stumble and Fall' [1977]), Danny Potter, and Jerri Bo Keno ('Here It Comes (And Here I Go)'/'I Don't Know Why' [1975]) in addition to several reissues. A similar relationship with Britain's led to the formation of the Phil Spector International label in 1975. When the Cher and Keno singles (the latter's recordings were only issued in Germany) foundered on the charts, Spector released 's to little commercial fanfare in 1975; largely produced and recorded by Spector in 1974, it was subsequently disowned by the singer before enjoying a resurgence among the cognoscenti of the late 1990s and early 2000s. The majority of Spector's classic Philles recordings had been out of print in the U.S. Since the original label's demise, although Spector had released several Philles Records compilations in Britain. Finally, he released an American compilation of his Philles recordings in 1977, which put most of the better-known Spector hits back into circulation after many years. [ ] 1977–1980: Death of a Ladies' Man and End of the Century [ ]. Main articles: and Spector began to reemerge in the late 1970s, producing and co-writing a controversial 1977 album by, entitled. This angered many devout Cohen fans who preferred his stark acoustic sound to the orchestral and choral wall of sound that the album contains. The recording was fraught with difficulty. After Cohen had laid down practice vocal tracks, Spector mixed the album in studio sessions, rather than allowing Cohen to take a role in the mixing, as Cohen had previously done. Cohen remarked that the end result is 'grotesque', but also 'semi-virtuous'—for many years, he included a reworked version of the track 'Memories' in live concerts. And also participated in the background vocals on 'Don't Go Home with Your Hard-On', which is the second time Spector indirectly 'produced' Dylan—the first being Dylan's live recordings on The Concert for Bangladesh. In 1977 Spector also produced the much-publicized album in 1979. As with his work with Leonard Cohen, End of the Century received criticism from Ramones fans who were angered over its radio-friendly sound. However, it contains some of the best known and most successful Ramones singles, such as ', ' and their cover of a previously released Spector song for the Ronettes, '.' Guitarist later commented on working with Spector on the recording of the album, 'It really worked when he got to a slower song like '—the production really worked tremendously. For the harder stuff, it didn't work as well.' Rumors circulated for years that Spector had threatened members of the Ramones with a gun during the sessions. Dee Dee claimed that Spector once pulled a gun on him when he tried to leave a session. Drummer recalled in 2008, 'They [guns] were there but he had a license to carry. He never held us hostage. We could have left at any time'. 1981–present [ ] Spector remained inactive throughout most of the 1980s, 1990s, and early 2000s. He attempted to work with on her album but was unable to do so. His most recent released project was by, in 2003. He was originally supposed to produce the entire album, but was fired owing to personal and creative differences. One of the two Spector-produced songs on the album,, was a UK top 10 single (the other single being 'White Dove'). Spector produced singer-songwriter 's track 'Crying for John Lennon', which originally appears on Hargo's 2006 album In Your Eyes, but on a visit to Spector's mansion for an interview for the John Lennon tribute movie Strawberry Fields, Hargo played Spector the song and asked him to produce it. Spector and former Paul McCartney drummer produced it in the classic style on nights after his first murder trial. In December 2007, the song ' by and featured melodic and lyrical passages heavily influenced by the song '. As a result, Spector was given a songwriting credit on the single. The sections from 'Be My Baby' are sung by Winehouse, not directly sampled from the mono single. Winehouse referenced her admiration of Spector's work and often performed Spector's first hit song, '. Also in December 2007, Spector attended the funeral of, whose former wife, Tina Turner, he produced in 1966 (only Tina was recorded, but the record label still read 'Ike and Tina Turner'). While delivering a eulogy, Spector lashed out at Tina and stated that 'Ike made Tina the jewel she was. When I went to see Ike play at the Cinegrill in the 90s.there were at least five Tina Turners on the stage performing that night, any one of them could have been Tina Turner.' Spector lashed out at for promoting Tina Turner's autobiography, which 'demonized and vilified Ike.' In mid-April 2008, broadcast a special entitled Phil Spector: The Agony and the Ecstasy. It consists of Spector's first screen interview—breaking a long period of media silence. During the conversation, images from the are juxtaposed with live appearances of his tracks on television programs from the 1960s and 1970s, along with subtitles giving critical interpretation of some of his song production values. While he does not directly try to clear his name, the court case proceedings shown try to give further explanation of the facts surrounding the murder charges leveled against him. He also speaks about the musical instincts that led him to create some of his most enduring hit records, from 'You've Lost That Lovin' Feelin' to 'River Deep, Mountain High', as well as Let It Be, along with criticisms he feels he has had to deal with throughout his life. Murder conviction [ ]. Wikinews has related news: On February 3, 2003 actress died in Spector's mansion (the Pyrenees Castle) in. Her body was found slumped in a chair with a single gunshot wound to her mouth with broken teeth scattered over the carpet. Spector told magazine in July 2003 that Clarkson's death was an 'accidental ' and that she 'kissed the gun'. The emergency call from Spector's home, made by Spector's driver, Adriano de Souza, quotes Spector as saying, 'I think I've killed someone'. De Souza added that he saw Spector come out the back door of the house with a gun in his hand. Spector remained free on $1 million bail while awaiting trial, which began on March 19, 2007. Presiding Judge Larry Paul Fidler allowed the proceedings in Los Angeles to be televised. On September 26, 2007, Judge Fidler declared a because of a (ten to two for conviction). The retrial of Spector for began on October 20, 2008, with Judge Fidler again presiding; this time it was not televised. The case went to the jury on March 26, 2009, and 19 days later, on April 13, the jury returned a guilty verdict. Additionally, he was found guilty of using a firearm in the commission of a crime, which added four years to the sentence. Spector was immediately taken into custody and was sentenced, on May 29, 2009, to 19 years to life in the. Musicianship [ ]. This section of a needs additional for. Please help by adding. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially or harmful. (December 2014) () Spector's early musical influences included in general, and in particular. [ ] This is perceptible in many if not all of Spector's recordings, from the percussion in many of his hit songs: shakers, güiros (gourds) and maracas in 'Be My Baby' and the in 'You've Lost That Lovin' Feeling' (heard clearly in the song's bridge, played by session bassist, while the same repeating refrain is played on harpsichord by ). Spector would visit clubs and schools to hone his listening and practical skills. [ ] Spector's trademark during his recording career was the so-called, a production technique yielding a dense, layered effect that reproduced well on and. To attain this signature sound, Spector gathered large groups of musicians (playing some instruments not generally used for ensemble playing, such as and ) playing orchestrated parts—often doubling and tripling many instruments playing in —for a fuller sound. Spector himself called his technique 'a approach to rock & roll: little symphonies for the kids'. While Spector directed the overall sound of his recordings, he took a relatively hands-off approach to working with the musicians themselves [ ] (usually a core group that became known as, including session players such as,,,,,, and ), delegating arrangement duties to and having oversee the performances, viewing these two as his 'lieutenants'. [ ] Spector frequently used songs from songwriters employed at the (Trio Music) and at 1650 Broadway (Aldon Music), such as the teams of and, and, and and. He often worked with the songwriters, receiving co-credit and publishing royalties for compositions. [ ] Despite the trend towards multichannel recording, Spector was vehemently opposed to releases, claiming that it took control of the record's sound away from the producer in favor of the listener. [ ] Spector was more concerned with the overall collage of sound than with the recording fidelity or quality. [ ] Sometimes a pair of strings or horns would be double-tracked multiple times to sound like an entire string or horn section. But in the final product the background sometimes could not be distinguished as either horns or strings. Spector also greatly preferred singles to albums, describing as 'two hits and ten pieces of junk', reflecting both his commercial methods and those of many other producers at the time. Legacy and influence [ ]. This section of a needs additional for. Please help by adding. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially or harmful. (October 2016) () Spector is often called the first among musical artists for acting not only as a producer, but also the creative director, writing or choosing the material, supervising the arrangements, conducting the vocalists and, and masterminding all phases of the recording process. He helped pave the way for, and helped inspire the emergence of aesthetically oriented genres such as,, and. Among his famous girl groups were and; later he worked with artists including, and the with similar acclaim. He produced ' album (1970), and (1971) by former Beatle. Later artists spanning many decades and genres have since cited Spector's work as a major influence. His influence has been claimed by contemporary performers such as,, and alongside latter-day record producers such as and. Performers,, and have all cited Spector as an influence., a British musical movement in the late 1980s to mid-1990s, was heavily influenced by the Wall of Sound. Of has cited Spector as a major influence on his album. [ ] of and has enthused about Spector, with the song ' opening with an homage of the famous 'Be My Baby' drum intro. Many have tried to emulate Spector's methods, and of the Beach Boys—a fellow adherent of mono recording—considered Spector his main competition as a studio artist. In the 1960s, Wilson thought of Spector as 'the single most influential producer. He's timeless. He makes a milestone whenever he goes into the studio.' Wilson's fascination with Spector's work has persisted for decades, with many different references to Spector and his work scattered around Wilson's songs with the Beach Boys and even his solo career. Of Spector-related productions, Wilson has been involved with covers of ', ', ', ', ', ', ', ', ', ', and 'This Could Be the Night'. 's mid-1960s productions for and also employed a layered, symphonic 'Wall of Sound' arrangement-and-recording style, heavily influenced by the Spector sound. [ ] Another example is the Forum, a studio project of, which produced a minor hit in 1967 with 'River Is Wide'., a former associate of Spector's, developed a jangly, guitar-laden variation on the Spector sound, which is heard mainly in mid-1960s productions for his then-wife, notably '. Emulated the Wall of Sound technique in his recording of '. In 1973, British band, led by, had three Spector-influenced hits with 'See My Baby Jive', 'Angel Fingers' and 'I Wish It Could Be Christmas Everyday', the latter becoming a perennial Christmas hit. Other contemporaries influenced by Spector include,,,,,, and. Swedish pop group cited Spector as an influence, and used similar Wall of Sound techniques in their early songs, including ', ', and '. [ ] ', from 's 1977 album is another example of the Wall of Sound technique. And were inspired by Phil Spector's methods. The Los Angeles-based band takes their name from Spector's Wall of Sound. Spector's influence is also felt in other areas of the world, especially Japan. Musicians and have both had numerous hit records heavily influenced by Spector and the Wall of Sound. Titular group also exuded the Wall of Sound in their early albums and singles. In popular culture [ ] • (1970): The character of Ronnie 'Z-Man' Barzell is based upon Spector, though neither Meyer nor screenwriter had met him. [ ] • (1974): The villainous character Swan (played by ) was supposedly inspired by Spector. A music producer and head of a record label, Swan was named 'Spectre' in original drafts of the film's screenplay. • (1993): Spector is portrayed by Rob LaBelle. [ ] • (1996): The film contains many characters based upon 1960s musicians, writers and producers including the character Joel Milner played by (based on Spector). [ ] • (2006–13): The character Dick Knubbler is a parody of Spector, based on profession, appearance and record of assault. • A Reasonable Man (2009): Harv Stevens is reportedly based on Spector. The film examines his relationship with John Lennon. • 'Doc Pomus' on the 2010 album by ( in collaboration with author ): Spector is referenced as 'crazy Phil Spector', one of the 'superhuman' legends of music history. • (2013): Spector is portrayed. • (2014): Spector is portrayed. Accolades [ ]. This list is; you can help. Publication Country Accolade Year Rank US Album of the Year ( ) 1971 * USA Greatest Artists of All Time 2004 63 US Greatest Record Producers of All Time 2008 2 Spector is one of a handful of producers to have number one records in three consecutive decades (1950s, 1960s and 1970s). Others in this group include (1960s, 1970s and 1980s), (1960s, 1970s, 1980s, and 1990s), (1970s, 1980s and 1990s), and (1980s, 1990s, and 2000s). Personal life [ ] Spector's first marriage was to Annette Merar, lead vocalist of the Spectors Three, a 1960s pop trio formed and produced by Spector. His second marriage was to Veronica Bennett, later known as. Bennett was the lead singer of the (another group Spector managed and produced). Their marriage lasted from 1968 to 1974. They adopted three children, Donté Phillip Spector (born March 23, 1969), Louis Phillip Spector, and Gary Phillip Spector (twins, born May 12, 1966). In later years, Bennett stated that Spector had kept her imprisoned in their California mansion and subjected her to verbal abuse. She escaped from Spector barefoot with the help of her mother in 1972. His adopted sons Donte and Gary Spector stated he kept them captive as children and forced them to perform sex acts with his girlfriend. 'For years, we were just caged animals to be let out for Dad's amusement,' Donte Spector told the Mail. In the 1980s, Spector had twin children with then-girlfriend Janis Zavala: Nicole Audrey Spector and Phillip Spector, Jr. (born October 18, 1982). Died of leukemia on December 25, 1991. On September 1, 2006, Spector, while on bail and awaiting trial, married his third wife Rachelle Short, who was 26 at the time. Spector filed for in April 2016, claiming. Health and illness [ ] In the first criminal trial for the Clarkson murder, defense expert Vincent DiMaio asserted that Spector may be suffering from, stating, 'Look at Mr. Spector. He has Parkinson's features. He trembles.' Department of Corrections photos from 2013 (released in September 2014) show evidence of a progressive deterioration in Spector's health, according to observers. He has been an inmate at the California Health Care Facility (a prison hospital) in since October 2013. In September 2014, it was reported that Spector had lost his ability to speak due to. Discography [ ]. • 1959: The Teddy Bears Sing – • 1962: – • 1963: – The Crystals • 1963: Zip-A Dee-Doo-Dah – Bob B. • CNN Library (December 3, 2015)... Retrieved 4 August 2017. • Spillius, Alex... •, pp. vii, 35, 52, 100. • ^ Duke, Alan (May 29, 2009)... Retrieved 2009-05-30. Washington Times. July 4, 2008. Retrieved October 6, 2010. Retrieved 2010-06-30. Rolling Stone Issue 946.. November 18, 2003, rollingstone.com; retrieved June 5, 2009. Rolling Stone 500 Greatest Albums of All Time. Rolling Stone 500 Greatest Albums of All-Time. • from BMI website •. Retrieved 2011-10-28. Retrieved 2011-06-07. 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Retrieved 2015-03-12. Retrieved 2015-03-12. • Cox, Tom (2001-02-10).. The Daily Telegraph. • Roberts, Randall.. • The band still name-checked Spector in the song 'It's Not My Place (in the 9 to 5 World)' on their next album, • Devenish, Colin (June 24, 2002).. Rolling Stone. Retrieved 2008-01-05. Rolling Stone. December 2, 2008. Retrieved 2009-06-15. • Minsky, David.. Miami New Times. • Willaman, Chris (December 3, 2004).. Entertainment Weekly. Retrieved November 6, 2017. Retrieved 2014-08-01. Retrieved 2014-08-01. Retrieved 2010-06-30. Retrieved 2010-06-30. Retrieved 2010-06-30. Retrieved 2010-06-30. • Thorpe, Vanessa, arts and media correspondent (February 18, 2008).. London: Music Guardian. Retrieved 2010-06-30. CS1 maint: Multiple names: authors list () •, TruTV.com. December 10, 2012, at the. Retrieved 2010-06-30. •,, February 17, 2007. Retrieved 2007-03-09. • Archibold, Randal C. (September 27, 2007).. The New York Times. Retrieved 2007-09-26. • April 25, 2007 • September 12, 2007 •. Retrieved 2013-03-31. • Li, David K. (April 13, 2009).. Retrieved 2010-06-30. April 13, 2009. Retrieved 2009-04-13. •, AP, April 13, 2009 • DeCurtis, Anthony (1999).. Duke University Press. Retrieved 4 August 2017. • Brown, Mick (2008).. Retrieved 4 August 2017. •, pp. 15-16. • Bergstrom, John (January 13, 2011).. Retrieved 28 April 2014. •, pp. 163-64. • Reed, Lou (December 1966). 'The View from the Bandstand'. Aspen Magazine. • Tamm, Eric (1995). (Updated ed., 1. Da Capo Press ed.). New York: Da Capo Press. Red Bull Music Academy. Retrieved May 20, 2014. • Guthrie, Robin (November 6, 1993). 'Robin Guthrie of Cocteau Twins Talks about the Records That Changed His Life'. Melody Maker. • Adams, Erik; Casciato, Cory; Eakin, Marah; Heller, Jason; Sava, Oliver; Zaleski, Annie.. Retrieved 4 August 2017. • Grevatt, Ron (March 19, 1966).. Melody Maker. • Lambert, Philip (2007).. • ^, pp. 29–30. The Swan Archives. Retrieved 2011-10-28. Retrieved 2010-06-30. Retrieved 2017-09-08. • Bronson, Fred (2003). Billboard's Hottest Hot 100 Hits. Billboard Books (3rd ed.), pp. • Whitburn, Joel (2013). Joel Whitburn's Top Pop Singles 1955–2012. Record Research (14th ed.). Retrieved 2013-03-31. CreateSpace Independent Publishing Platform. Archived from on May 29, 2014. • Hoby, Hermione (2014-03-06)... Retrieved 2017-11-25. NY Daily News. Retrieved 2017-11-25. • Sam, Robert.. Retrieved 2013-03-31. Retrieved 2016-04-23. Retrieved 2011-03-31. Published September 23, 2014, Retrieved September 24, 2014. • Retrieved September 24, 2014. Daily Mirror. Retrieved 2014-09-27. Retrieved 2014-10-02. • Bannister, Matthew (2007).. Ashgate Publishing, Ltd.. • Eisenberg, Evan (2005).. Yale University Press.. • Williams, Richard (2003).. Music Sales Group.. Further reading [ ] •.: The Rise and Fall of Phil Spector;; reviewed Garceau, Scott (November 12, 2008), • Ribowsky, Mark. He's a Rebel: The Truth About Phil Spector – Rock and Roll's Legendary Madman; •. 'The First Tycoon of Teen'—magazine article reprinted in Wolfe,,; and in liner notes • Thompson, Dave. Wall of Pain: The Biography of Phil Spector; • Emerson, Ken. Always Magic in the Air: The Bomp and Brilliance of the Brill Building Era; •. Fuel-Injected Dreams;; novel whose central character is reportedly based on Spector External links [ ] •. Los Angeles Times photo gallery of Phil Spector during the Clarkson trials and through the decades (May 29, 2009) Music-related • •, Daily Telegraph (March 10, 2007) • on public radio program • at • • • • interviewed Spector on 8 January 1968; June 15, 2011, at the.; he appears in shows,,,. Legal-related • • Documentary series from Court TV (now TruTV) episode (2009) at • •. • •, New York Law Journal, October 21, 2002.
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